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Biography

Jess NIETO PANTOJA, born in Madrid, Spain. Permanent artist's work in the background Galera Durn Madrid Art Exhibitions. Latest exhibitions: - May 2005 Exhibitions Durn. - September 2005, FAIM (Madrid). - August 2006, ART-Salzburg, Austria. CRITICISM: The shadows of objects on the walls peeling of any old street in Madrid, indolence that inspires a sunny afternoon when the sun king dying in his persistent heat the walls,...

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Jess NIETO PANTOJA, born in Madrid, Spain. Permanent artist's work in the background Galera Durn Madrid Art Exhibitions. Latest exhibitions: - May 2005 Exhibitions Durn. - September 2005, FAIM (Madrid). - August 2006, ART-Salzburg, Austria. CRITICISM: The shadows of objects on the walls peeling of any old street in Madrid, indolence that inspires a sunny afternoon when the sun king dying in his persistent heat the walls, the common tool, devoid of beauty or interest to the pedestrian, the truck, the scaffolding, the washing or boxes stacked to the back door of the bar ... Pleas all celebrated by a palette of Nieto Pantoja, who spares no time or effort to recreate the most lackluster delighting corners of our city. Restrained in his palette but extremely careful when applying the necessary touch of color, Nieto Pantoja is installed in the sidewalk to portray reality in detail daily urban and insignificant. In his paintings, a plaster PTIN aoso rust and spaces surrounding aging, Rados, worn by use and over time the ineffable. A lengthy time, a trip to the past filled with aoranza, which we moved the most humble and forgotten corner of a neighborhood or Madrileo Lisbon. There is loneliness, silence, mystery, and nostalgia in each of the images other than as emblems reveal little ghosts that inhabit the dilapidated barracks with portaln, bars on windows and high zcalos of granite full of grime, today condemned the neglect or abandonment. A previous study of perspectives ranging from simple vision to close up front with views low or high, make these spaces emptied of humanity, short fragments of life. The anecdote, the data you doubt trivial but important to reconstruct the facts lead us to imagine a life nameless around each space, each exterior also means the existence of an inhabited interior. Asnuestra prompting curiosity about what is not seen but is sensed, invitndonos to recreate family stories, settings are as real as things present in each of these tables. Prints of the environment in which Nieto Pantoja this exhibition devoted smismo best of his enthusiasm for painting. THE POINT OF THE ARTS. May 2005

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